While it is well known that passages in Goethe's Egmont owe a debt to Shakespeare's Julius Caesar, the relationship between the two plays has not been examined systematically. Additional intertextual evidence makes it probable that Goethe referred to Julius Caesar while writing Egmont. The plays have a strikingly similar constellation of characters: the politically naive hero (Brutus and Egmont) contrasts with the brilliant schemer (Cassius and Oranien). Although the historical context of the two plays is very different, reading Egmont intertextually in this way sheds light on its peculiar politics and much-maligned anti-illusionistic ending
Abstract – In Die fröhliche Wissenschaft Nietzsche states that to Brutus “Shakespeare consecrated hi...
This paper explores two prominent plays about the legendary Doctor Faust character through examinati...
Ernesto Rossi, born in Leghorn in 1827, belonged to the generation of Italian grand’attori who domin...
[Extract] In William Shakespeare's Julius Caesar, the conspirator Cassius bitterly describes the pos...
The critical reception of Heiner Müller’s 1990 Hamlet/Maschine at the Deutsches Theater in East Berl...
As Lisa Hopkins argues in The Cultural Uses of the Caesars on the English Renaissance Stage, a spate...
The Weimar Republic occupies a period in German history that has long fascinated students of theatre...
Shakespeare's 'Julius Caesar' is historically linked to the assassination of President Lincoln and t...
The Hamlet project in Wilhelm Meister can be considered a case study of cultural appropriation. Shak...
Über den historischen Caesar wurde herausgefunden, was es herauszufinden gibt. Weder die literarisch...
This book shows that William Shakespeare was a more personal writer than any of his innumerable comm...
Julius Caesar, performed by Sheffield Theatres at the Crucible Theatre, Sheffield, UK, 24th May 201
The fact that the Nazis tried to claim Shakespeare as a Germanic playwright has been well documented...
A book review of Lukas Erne and Kareen Seidler's translation and edition of two early modern German ...
The Winter’s Tale is the only play by Shakespeare to refer to a specific artist of the Renaissance, ...
Abstract – In Die fröhliche Wissenschaft Nietzsche states that to Brutus “Shakespeare consecrated hi...
This paper explores two prominent plays about the legendary Doctor Faust character through examinati...
Ernesto Rossi, born in Leghorn in 1827, belonged to the generation of Italian grand’attori who domin...
[Extract] In William Shakespeare's Julius Caesar, the conspirator Cassius bitterly describes the pos...
The critical reception of Heiner Müller’s 1990 Hamlet/Maschine at the Deutsches Theater in East Berl...
As Lisa Hopkins argues in The Cultural Uses of the Caesars on the English Renaissance Stage, a spate...
The Weimar Republic occupies a period in German history that has long fascinated students of theatre...
Shakespeare's 'Julius Caesar' is historically linked to the assassination of President Lincoln and t...
The Hamlet project in Wilhelm Meister can be considered a case study of cultural appropriation. Shak...
Über den historischen Caesar wurde herausgefunden, was es herauszufinden gibt. Weder die literarisch...
This book shows that William Shakespeare was a more personal writer than any of his innumerable comm...
Julius Caesar, performed by Sheffield Theatres at the Crucible Theatre, Sheffield, UK, 24th May 201
The fact that the Nazis tried to claim Shakespeare as a Germanic playwright has been well documented...
A book review of Lukas Erne and Kareen Seidler's translation and edition of two early modern German ...
The Winter’s Tale is the only play by Shakespeare to refer to a specific artist of the Renaissance, ...
Abstract – In Die fröhliche Wissenschaft Nietzsche states that to Brutus “Shakespeare consecrated hi...
This paper explores two prominent plays about the legendary Doctor Faust character through examinati...
Ernesto Rossi, born in Leghorn in 1827, belonged to the generation of Italian grand’attori who domin...